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He can't hear major elements of the soundscape: the truck horn behind him.
他对身旁的那些声音充耳不闻：,无论是在他身后鸣笛的卡车。
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On the back of the left hand she made out the post horn tattooed in old ink now beginning to blur and spread.
她发现老人的左手背上,刻有着译车号的刺青,不过已经变得模糊。
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The horn obviously is a brass instrument and what makes the sound is a vibrating column of air.
显而易见的,圆号是个铜管乐器,它通过震动空气柱来发出声音
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But right opposite that magnificent site, the golden horn is there.
就是在那块宝地对面,金角湾就在那啊
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They can push down the thirteenth partial and bring up the fifteenth and thereby change the sound of a clarinet into a French horn.
压低第十三分音,或者提高第十五分音,从而将单簧管的声音变成圆号的
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So Eva is going to just demonstrate the physical process of playing the French horn.
伊娃会为我们讲解,演奏法国圆号的物理过程
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He can't hear his own horn, whether it blows or not.
他那个不知道，能不能按响的喇叭。
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it says "The pickup truck slowed even more, as if it were reading the sign, Haze his empty horn.
就像看见了标牌一样，载货卡车进一步放慢了速度，又开始按那个，and，Haze，pounded,不出声的喇叭。
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This is my friend, long-time colleague, music librarian extraordinaire and professional French horn player, Eva Heater, who will demonstrate here-- Come on over here right in the center.
这位是我的朋友,长期共事的同事,音乐图书管理员,了不起的专业法国圆号手,伊娃·夕瑟,她将在此演奏,过来,站到中间来
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Here comes the horn.
这里法国号加入了。
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He doesn't at first hear the horn fail to blow, and then later, when a truck pulls up behind him, he fails to hear a horn that does blow: He was looking at the sign, and he didn't hear the horn.
在一开始,是他没有注意到这点，到后来卡车停在身后时，他连响的喇叭都听不到了：,“他看着那个标牌，以至于没听到喇叭声。
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And she has that vision of the telephone wires, and she looks up at them as she has just doubted all of the possibilities for making sense of the post horn and the Tristero.
她看着电话线，边看着边怀疑着,弄清楚,译车号和post，horn的可能性。
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And then, of course, she gets a major clue for figuring out what the whole story is behind the Tristero and the post horn.
接下来，她自然得到了一个重要的线索,关于藏在Tristero，和驿车号之后的整个故事。
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Think of these poor French horn players in the orchestra.
想象一下管弦乐团中可怜的圆号手
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French horn, yeah,but notice that if we take this aggregate-- and we're back to that same idea of the octave,the fifth,the fourth and the third, sort of,so it's again sort of primordial, this particular acoustical basis of so much of music.
法国号，对，但是注意，从总体的角度来看-,我们又回到了八度的概念，第五，第四，第三，大概是这样，所以这依然是是很基础的形式，许许多多音乐都是以这一种形式为声学基础的。
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In this case, the basic column of air is twelve and a half feet long and there are something called "Partials" or the "Harmonic series" That happens in anything, on a string instrument or whatever, but on the horn it's very distinct and that's what makes the different notes.
像这样,基本空气柱有十二个,每个半英尺长,圆号能发出分音,或泛音列,弦乐器或是,其他别的乐器中都有,但在圆号上,效果相当不同,这就是它能奏出不同音符的原因
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