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Leda feels the beating of the swan's heart, and that heart is "strange" to her, that simple, powerful word.
丽达感受到天鹅的心跳，而那心跳对她来说很陌生，陌生，是个简单给力的词。
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The myth that Yeats takes up is of Zeus's rape of the maiden, Leda, whom he attacks as a swan.
叶芝此诗的神话原型是,宙斯强暴了一个美女，丽达，宙斯变成天鹅侵犯了她。
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My friend Nassim Talib has just written a book about it called-- maybe I'll talk about that--called The Black Swan.
我的朋友纳西姆·塔利博刚刚写了一本书,叫做"黑天鹅现象",以后我会再讲到
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It starts out ugly and becomes a beautiful swan.
开始很丑,然后变成一只美丽的天鹅
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He doesn't name the swan, just as he doesn't name the "rough beast" in "The Second Coming."
他没说这天鹅叫什么，就如在《三贤》《第二次降临》,他也没说粗鄙的野兽的名字“
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The swan is really only a force, and Yeats's concern is rather with the human experience of that force, which is, again, another manifestation of "terrible beauty."
这天鹅只是一种力量，而叶芝所关注的是,人类对此力量的感受，而这又是，一次，惊人之美，的表现“
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He called it The Black Swan because if you look at swans, they're always white.
他称之为黑天鹅现象,因为我们看到的天鹅总是白色的
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I think of it as a kind of reply to that famous question in "Leda and the Swan"; that is, "did she put on his knowledge with his power before the indifferent beak could let her drop?"
这是对丽达和天鹅中那个,著名问题的回答，在那冷漠的嘴把她放下之前,她是否用她的力量获取了他的知识？
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What the swan thinks or feels or intends doesn't matter.
天鹅的想法感受或意图,并不十分重要。
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Leda and the Swan" seems to say a knowledge of the body, of the necessity of embodiment. In the late Yeats, in the poems that I'll be discussing today, there's no knowledge apart from the body.
这诗里似乎说的是身体的知识，表现的必要性，我们要谈论的,叶芝的晚期诗讲的就是身体。
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Remember how Yeats represents history as rape in "Leda and the Swan."
记住叶芝在丽达与天鹅里,把历史表述成强奸“
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This isn't a poem about Zeus; it's not a poem about the swan.
这是一首关于宙斯的诗歌;,不是一首关于天鹅的。
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You've never seen a black swan.
你从没见过黑色的天鹅
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