Milton surveys the wealth of literary tradition before him, and he resists its allure without the help of any human guide.

弥尔顿在他之前就调查过文学传统的宝藏，他在没有人帮助的情况下抗拒了这一诱惑。

耶鲁公开课 - 弥尔顿课程节选

He is more steeped in the sensuous beauty of classical literature, the classical tradition, than probably anyone else of his generation.

他比同时代的任何人都沉湎于古典文学感觉上的美，一种经典的传统的美。

耶鲁公开课 - 弥尔顿课程节选

He represents them as overheated attempts at literature, as dripping with a kind of excess, romantic excess, as essentially unable to do more than repeat a tradition.

他将这些炙热的情感放到文学里，流露出过度的浪漫，重复传统，无法超越。

耶鲁公开课 - 1945年后的美国小说课程节选

Okay. So that's the basic distinction and, as I say, as far as I can see it's irreconcilable so it leaves us with a choice that really does have to be made, and it's a choice which looms over a course in literary theory and coming to understand the tradition of literary theory.

这就是二者基本的不同之处，我以前说过，只要二者不能兼容,我们就不得不从中选择一个，这个选择将会一直出现在文学理论课,和理解文学理论传统的过程中。

耶鲁公开课 - 文学理论导论课程节选

Finally, I think it can be said that it's a poem whose deepest investmentis actually in Milton's mastery over the entire Western tradition of literature.

最后，我要说的是,这是一首弥尔顿对自身对于现代文学传统的,写作技巧苦心经营的诗。

耶鲁公开课 - 弥尔顿课程节选

They are steeped in the entire literary tradition of the underworld journey that stretches from The Odyssey of Homer up through Virgil's Aeneid, and of course up through all of the Renaissance romance epics.

它们被浸泡在整套文学传统中,穿越了从荷马的《奥德赛》上升到,维吉尔的《埃涅阿斯纪》的地下之旅，当然它也经历了所有文艺复兴时期的浪漫史诗。

耶鲁公开课 - 弥尔顿课程节选

After the long sway of Theocritus' and Virgil's pastorals, ; of course Christianity entered the scene,a new dispensation; and Christianity began to load this pastoral literary tradition with its own set of associations.

在维吉尔等两人对田园诗的长久统治之后，基督教义作为新的统治思想兴起了;,并且开始以它自身的一套体系,附在田园诗的文学传统之上。

耶鲁公开课 - 弥尔顿课程节选

So I want to propose that the literary traditions' renaming of this piece from A Mask to Comus is more than just a slip, or more than just a random shift of terms or of names.

所以我想提出,从面具到Comus的文学传统的重命名,不仅仅是一个失误，更不仅仅是一个术语或名称的随机变化。

耶鲁公开课 - 弥尔顿课程节选