He was more optimistic about the future of music, with the rise of minimalism and neoromanticism as predominantly tonal styles.
随着简约主义和新浪漫主义作为主要的音调风格的兴起,他对音乐的未来更加乐观。
He was more optimistic about the future of music, with the rise of minimalism and neoromanticism as predominantly tonal styles.
随着简约主义和新浪漫主义作为主要的音调风格的兴起,他对音乐的未来更加乐观。
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