The puppeteer, who operates it, needs great skill.
提线木偶对表演者的技能要求很高。
In today's cartoon Rove is portrayed as the puppeteer controlling Bush's wealthy supporters in Texas (notice the Texas-style cowboy hat).
在今天的漫画中，罗夫被描绘成了控制富有的布什支持者(请注意得州式样的牛仔帽)的幕后人物，他正操纵着那个手动木偶。
Now tie the strings to a control. the control is like a high - level language. with a simple turn of the wrist, the puppeteer can move many strings simultaneously.
现在把线缠在控制木棒上，控制木棒就像是高级语言。通过手腕的转动，控制者很容易同步移动很多线绳。
Nien Nunb was actually a puppet controlled from beneath the set by puppeteer Mike Quinn.
尼恩·农布其实是迈克·奎因在背景下面操纵的人偶。
If a puppeteer can move a character's hips, leaving the knees and shoulders in place, as easily as can a pencil animator, why should it be harder in CG?
如果一个提线木偶能移动一个角色的跨部，抬起它的肩和膝在一个适当的位置，尽量容易地一个铅笔动画师，为什么他在CG上比较困难？
At the suggestion of puppeteer Michael Quinn, the Sullustan mask was altered to allow for use as a puppet.
在木偶师迈克尔·奎因的建议下，萨卢斯特人的面具进行了修改并用作人偶。
At the suggestion of puppeteer Michael Quinn, the Sullustan mask was altered to allow for use as a puppet.
在木偶师迈克尔·奎因的建议下，萨卢斯特人的面具进行了修改并用作人偶。
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