The two aspects complement each other and constitute comparative poetics in its true sense.
这两个方面互为补充，才是完整意义上的“比较诗学”。
This thesis explores the relations between Chinese aestheticism and western literary thoughts in the vision of comparative poetics.
在比较诗学的理论视野内，探讨了现代中国语境中的唯美主义文学观念与西方文艺思潮的影响接受关系。
Chapter 3 analyzes the profound theoretical basis of "Sublimation" by means of such related disciplines as philosophy, aesthetics and comparative poetics.
第三章结合运用哲学、美学和中西诗学等相关学科，分析“化境”说深厚的理论根基。
As a new area of research, comparative poetics results not only from theorization in comparative literature but from the development of modern poetics towards comparative study as well.
比较文艺学迄今仍是一门年轻的学科。其产生既是比较文学理论化的结果，也是现代文艺学走向比较研究的结果。
Comparative poetics shows a theoretical horizon for current building of comparative poetics in our country, triggering off theoretical reflections on multi-culture and universal literature.
《比较诗学》为我国当前的比较诗学建设带来了有益的理论启示，引发了关于多元文化和“普适性”文学理论的思考。
Based on the same philosophical thought, comparative poetics and philosophical hermeneutics alike are a retrospect and transcension of scientism and positivism prevailing over the 19th century.
比较诗学与哲学诠释学乃是基于相同的哲学思潮，它们都是对盛行于19世纪的唯科学主义和实证主义的反思和超越。
Comparative poetics and the creation of Chinese hermeneutics are two issues that Chinese academe focuses on presently.
比较诗学与中国诠释学的创建是目前中国学术界比较关注的两个问题。
Comparative poetics and the creation of Chinese hermeneutics are two issues that Chinese academe focuses on presently.
比较诗学与中国诠释学的创建是目前中国学术界比较关注的两个问题。
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