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  • Rebecca West wrote a good many novels and one in particular called The Return of the Soldier, the protagonist of which is also a traumatized war victim.

    丽贝卡·韦斯特写了很多小说,其中有一本叫《军士翻箱》,书中的主人公也是一个饱受创伤的战争受害者。

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  • The protagonist Emily is endowed with the images of protecter of the tradition, and its convict, beneficiary and revolter.

    主人公爱米丽同时具有传统的维护者、囚徒、受益人和反抗者多个身份。

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  • Her main protagonist is Thomas Cromwell.

    她书中的主人公是托马斯·克伦威尔。

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  • In fact, the protagonist of Medal of Honor never talks at all.

    事实上,《荣誉勋章》的主角从头到尾都不说一句话。

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  • He is as richly drawn a protagonist as I've seen on stage in a long time.

    长期以来,他是我在舞台上看到的表现最为丰富的主角。

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  • The author, like his protagonist, knows about the value and power of words.

    本书的作者如同书中的主人公那样,他了解文字的价值与力量。

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  • And so on. The story purposely portrayed the protagonist in an ambiguous way.

    这个故事有意识的用这样一种模棱两可的方式对主人公进行描绘。

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  • Before Aeschylus, plays consisted of one protagonist and were narrated by the chorus.

    在埃斯库罗斯之先,戏剧里都只有一个主角,至于情节,那得由歌舞团来叙述。

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  • I want you to think about what kind of protagonist Pynchon sends out into this world.

    我想让你们想想,Pynchon向这个世界,塑造了怎样的一个主角?

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  • The plot defines the sequence of events that lead the protagonist to her objective.

    故事情节规定了事件发生的顺序,引导故事主人公达到目的。

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  • Most often, the protagonist realized that they loved things that were not things at all.

    通常情况下,主人公意识到他们所喜爱的东西根本是不存在的。

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  • The protagonist of The Line of Beauty, Nick Guest, is writing a thesis on Henry James.

    尼克.盖斯特(Nick Guest),《美丽曲线》(TheLineof Beauty,中文版已由长江文艺出版社出版)中的主人公,正在写一篇有关亨利.詹姆斯的论文。

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  • We learn right away that the protagonist Feng Shi is, "like so many rich people," perennially in debt.

    我们很快认识到主人公冯石“像很多富翁一样,”不断地债务缠身。

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  • Protagonist Jake Sully (actor Sam Worthington) is recruited to the program when his twin brother dies.

    男主角杰克·萨利(由萨姆·沃辛顿饰)在双胞胎兄弟死后也加入了这个计划。

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  • Candide tells the tale of its naive eponymous protagonist, taught to believe in Leibnizian optimism.

    《憨第德》讲述的是一个名为憨第德的天真幼稚的年轻人,在受到他人的教导后对莱布尼茨式乐观主义深信不疑。

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  • When the protagonist of “Boys from the Blackstuff”, a television drama set in 1980s Liverpool, shouts “Gissa job!

    20世纪80年代,利物浦出了一部叫“来自黑暗地带的男孩”的电视剧,电视剧主角大肆叫嚣着“找工作”。

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  • Mr Pierre’s anti-hero shares much with his previous protagonist, Vernon, and could be an image of his former self.

    皮埃尔的这位“反主角”和他之前小说的主角维农有许多相似之处,有可能是作者自身的真实写照。

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  • The protagonist of this story is a classical representative of middle class. She has no any background but well-educated.

    小说的主人公杜拉拉是典型的中产阶级的代表,她没有背景,受过较好的教育,走正规路子,靠个人奋斗获取成功。

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  • The protagonist of this story is a classical representative of middle class. She has no any background, but well-educated.

    小说的主人公杜拉拉是典型的中产阶级的代表,她没有背景,受过较好的教育,走正规路子,靠个人奋斗获取成功。

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  • The protagonist of this show is named Stephanie and she is a human being. She visits LazyTown and decides to live with her uncle.

    这部剧的主人公名叫斯蒂芬妮,她是人类,她去拜访懒人镇,并决定和她叔叔住。

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  • Modern shooters bring with them particular conventions, one of which is a silent protagonist who remains a mystery to the player.

    现代射击游戏免不了特定的套路,其中之一就是沉默的主人公,留给玩家谜一样的感觉。

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  • Mr Eastwood's camera bores straight into his characters' souls, discovering the sweetness hidden inside his monstrous protagonist.

    伊斯特伍德的镜头直视了角色的灵魂,发现在隐藏在他荒谬主角内心中的柔情。

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  • His protagonist, Omar Yussef, is almost an anti-hero: a creaky ex-alcoholic schoolteacher with painful joints and faltering moral courage.

    小说中的主人公奥马尔•尤塞夫(Omar Yussef)几乎就是一位平凡的主角:他是一位教师,思想陈旧、曾一度酗酒成性、饱受关节疼痛的折磨、做事缺乏勇气。

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  • In the book, the protagonist passes his days worrying about his colleagues' files spilling onto his desk rather than trying to impress bosses.

    在这部书中,主角每天担心的是同事的文件散乱在他的桌子而不是试图给老板留下深刻印象。

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  • In the book, the protagonist passes his days worrying about his colleagues' files spilling onto his desk rather than trying to impress bosses.

    在漫画中,主角每天担心的是同事把档堆在他的桌子上,而不是努力工作争取给老板留下好印象。

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  • So the vampire genre, Lodge says "allows the protagonist to be both the author of her own destiny and the victim of forces beyond her control."

    所以对于吸血鬼这种文类,洛奇的说法是:“让主人公既成为她自己命运的缔造者,同时也是她无法控制的力量之受害者。”

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  • So the vampire genre, Lodge says "allows the protagonist to be both the author of her own destiny and the victim of forces beyond her control."

    所以对于吸血鬼这种文类,洛奇的说法是:“让主人公既成为她自己命运的缔造者,同时也是她无法控制的力量之受害者。”

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