This paper analyses the works of Louis Kahn and his Chinese classmates in which there are two different concepts on how to transform the historical principle into modern architecture design.
本文以同时代毕业于美国宾夕法尼亚大学的路易·康和他的中国同学们为例,围绕“历史原理与现代设计如何结合”为线索,探讨了两种不同的设计观念。
This paper analyses the works of Louis Kahn and his Chinese classmates in which there are two different concepts on how to transform the historical principle into modern architecture design.
本文以同时代毕业于美国宾夕法尼亚大学的路易·康和他的中国同学们为例,围绕“历史原理与现代设计如何结合”为线索,探讨了两种不同的设计观念。
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