它的大致结构包含以下6个内容:文学剧本创作;
Its approximate structure contains the following 6 contents: Literature play writing;
而在剧本方面,他喜欢改编西方经典文学著作,包括陀思妥耶夫斯基的《白痴》(1951),高尔基的《在底层》(1957)以及《李尔王》(即1985年的《乱》)。
He drew his stories from the classics of Western literature , including Dostoyevski's The Idiot (1951), Gorky's The Lower Depths (1957), and King Lear (Ran in 1985).
利用现成的文学作品进行改编是创作剧本的另一种方法,这种方法可以帮助新入这行的作者尽快上手。
Another option for writing a music script is adapting a current piece of literature.
小说出自一个年轻的古典文学教授为派拉蒙写的电影剧本。
The novel originated as a screenplay for Paramount written by a young classics professor.
个人言辞的表达几乎已从英国文学中消失,但它却同戏剧本身一样,可以有效地摆脱浮夸辞藻和抽象言语。
Personal utterance, which had almost ceased in English lit- erature, could be as fine an escape from rhetoric and abstraction as drama itself.
剧本普遍长90到120页,它是很多文学体裁的混合体。
The general screenplay length is from 90 to 120 pages. A screenplay can be a mixture of genres.
喜欢研读剧本及文学小说,从中发现人与人之间的故事,增加自己对人世的体悟,转化为设计上的养分。
He also likes to read literary novels and scripts, to discover stories about life and people, which is the basic and important component in the field of design.
但真正的文学并不是改编后的电影剧本,而是用心创作和阅读的产物。
But after the true literature is not the reorganization screenplay, but attentively creates and the reading product.
他的作品主要分为文学理论研究与小说及剧本创作两大类。
His works can be divided into two main categories: literary criticism and novel.
我想他是把自己当一个写剧本的来看待的,他怎么也不会想到自己是在创作文学。
I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldn't have entered his head.
作家,书籍和剧本对出版的文学作品,电影、电视、电台剧本,舞台作品进行撰写、编辑、评估。
AUTHORS, and BOOK and script EDITORS write, edit and evaluate literary works for publication and scripts for film, television, radio and stage productions.
戏剧,剧本用于在舞台的表演而写的文学作品;戏剧。
A literary work written for performance on the stage; a drama.
所以戏剧的翻译标准也就不同于小说、诗歌等其它文学体裁的翻译标准,要根据剧本的使用目的决定翻译策略。
Thus, the translation standard for drama is distinctive from that of other literary genres, like novel or poem, which shall be determined by the objectives and features of the drama.
从20世纪开始,戏剧文学的中心地位渐渐地被移位了.戏剧从以剧本为中心转变到了以剧场为中心。
Since the 20th century , the focus of the theater literature has been moved from the the playcentered to the stage-centered.
肖伯纳还是唯一获得诺贝尔文学奖(1925年)以及奥斯卡最佳电影剧本奖(1938年,《皮格马利翁》)两个奖项的人。
Shaw was also the only person ever to have won both a Nobel Prize (Literature in 1925) and an Academy Award (Best Screenplay for Pygmalion in 1938).
他的作品类型涵盖了严肃小说、消遣小说、短篇小说、戏剧、儿童文学、游记、电影剧本、散文、传记以及评论文章。
His productions include serious novels, entertainments, short stories, plays, children's books, travel books, film scripts, essays, biographies and criticism.
珍妮弗·肯宁毕业于圣克劳德州立大学(明尼苏达州),取得分析写作和文学学位,研究了剧本在洛杉矶加州大学洛杉矶。
JENNIFER KENNING graduated from Saint Cloud State University (Minnesota) with a Bachelor of Arts Degree in analytical writing and has studied screenwriting at the University of California Los Angeles.
珍妮弗·肯宁毕业于圣克劳德州立大学(明尼苏达州),取得分析写作和文学学位,研究了剧本在洛杉矶加州大学洛杉矶。
JENNIFER KENNING graduated from Saint Cloud State University (Minnesota) with a Bachelor of Arts Degree in analytical writing and has studied screenwriting at the University of California Los Angeles.
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