书画同源

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common origins of calligraphy and painting
书画同源：指书法和绘画这两种艺术形式在起源和发展过程中有着共同的渊源和联系。

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The Journal of Humanities
...学版） Journal of Shenzhen University(Humanities & Social Sciences)] "书画同源"辨析 [人文杂志 The Journal of Humanities] 张彦远对中国书画装裱艺术的贡献 Contributions of Zhang Yanyuan on Mounting Paintings and Calligraphies in China [四川文...

短语

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由于书画同源，以及两者在达意抒情上都和骨法用笔、线条运行有着紧密的联结，因此绘画同书法、篆刻之间有着密切的联系。
As homologous paintings, as well as two in the lyric to convey his ideas on all of a pen and bone lines running close association, painting with calligraphy, seal carving has maintained close ties.
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本文从“书画同源”这个题目入手，研究中国画艺术与中国传统文化之间的关系，从中华传统书画艺术的角度去挖掘中国传统文化的精髓。
In this article, it is discussed that painting and calligraphy is from fountain, between the traditional culture and traditional art, which impresses the soul of the Chinese traditional culture.

书画同源
中国书画术语。意为中国绘画和中国书法关系密切，两者的产生和发展，相辅相成，在画史上，以先秦诸子的所谓：“河图洛书”为书画同源的依据，唐代张彦远《历代名画记·叙画之源流》中说，“颉有四目，仰观垂象。因俪鸟龟之迹，遂定书字之形，造化不能藏其秘，故天雨粟；灵怪不能遁其形，故鬼夜哭。是时也，书画同体而未分，象制肇始而犹略。无以传其意，故有书；无以见其形，故有画。”此为最早的“书画同源”说。《殷契》古文，其体制间架，既是书法，又是图画，近人郑午昌说“是可谓书画混合时代”。

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