There's a twist, though, to the picture's emphasis on architecture: It has been carefully edited to excise virtually all shots of buildings finished after about 1950.

Voutas said he most likely will have to make a separate version for authorities, one that cuts select shots of imagery or dubs over explicit language.

And different lens (clip) generated exemplifies the montage not only formed the composition of the screen shots, and perfect the laws of unique film language of rhetorical devices rule.