The second part states the poet's attitudes toward the hardship from Mudan's degenerateness and aloofness.
第二部分是对诗人苦难姿态的探讨,它主要表现为诗人面对苦难时沉沦与超越互有的矛盾态度。
参考来源 - 在沉沦与超越之间——论穆旦诗歌中的苦难意识·2,447,543篇论文数据,部分数据来源于NoteExpress
His self-control, reserve and aloofness were almost inhuman.
他的自制力、矜持和孤傲几乎有些不近人情。
His stare is one of regal aloofness.
他看人的眼神还是那种高高在上的神态。
Their confident nature may now just be aloofness and self-centredness.
现在,他们有信心的性质可能只是冷漠和自我中心。
We ought to remain a little aloof and take pleasure in this aloofness, the interweave of a given masterpiece.
并享受着这种冷漠,伴着颤抖来品味名著。
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