Jacques Derrida argued that works of literature and art should express animated sensibility and pay more attention to obtain aesthetical experience. However, he objected to structuralism’s research on only emphasizing the single structure and pure logical method.
德里达的解构主义理论强调文学艺术作品要表现活生生的感性,注重阅读过程中的审美体验,反对结构主义单一的结构形式研究,以及其纯粹的逻辑方法。
参考来源 - 文学行动：德里达解构主义文学观研究In chapter three, it is to discuss two utter forms of American film about World War II: tableau and sound. The two forms is toward the audience directly and more to arouse their sensory aesthetical experience.
第三章分析了美国二战影片的两大外在审美形式:画面、声音,这两大形式直接面对观众,从而比其它形式更容易激起观看者的感官审美体验。
参考来源 - 审美视野下的美国战争（二战）影片·2,447,543篇论文数据，部分数据来源于NoteExpress
The fourth chapter studies on the aesthetical experience theory of the dialogism aesthetics.
第四章讨论对话美学的审美经验论。
Ding Ling's contradictory aesthetical realm in her early works gives us an unspeakable aesthetical experience.
她在其早期小说中展现的看似矛盾的美学境界恰恰给人难以言说的美学体验。
There is an affinity between these factors and whether the audience could obtain a aesthetical experience and pleasure.
这些审美心理因素都与欣赏者是否能获得深刻的审美体验和审美愉悦有着密不可分的联系。
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