Critics love to generalize, to formulate trends into which all new work must be fitted, however contradictory.
评论家喜欢概括,归纳出所有新作品都必须符合的趋势,不管它们是如何地不符。
And it’s Wright who remains the most contradictory of all, who continuously undermines his own ambitions, who falls in love with helpless finality and falls out of love with cool -indifference.
这就是赖特其人,他集各种矛盾个性于一身,他不断蚕食自己的事业抱负心,他不可挽救地陷入爱河,其后又将他的爱人冷酷或说是冷漠地抛弃掉。
How could I love death? One can only write about it in contradictory ways.
我有多么爱死亡?一个人只能用一种矛盾的方式记叙这中感觉。
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