Searle对虚构作品(a work of fiction)和虚构话语(fictional discourse) 进行了区分, 指出几乎任何重要的虚构作品都会传递若干信息, 这些信息是语篇所提供的, 但在语篇里却找不到。
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In his trilogy Strange Two-Person Group, Oe takes intertextuality as an important strategy of his fictional discourse.
晚期的大江在创作“奇怪的二人配”三部曲时,已经把互文性当作重要的小说话语策略。
Fictional discourse is regarded in the speech act theory developed by Austin and Searle as "non-serious" or "abnormal".
在奥斯汀和塞尔的言语行为理论中, 虚构的文学话语被认为是“不严肃”的。
Sarah Orne Jewetts fictional language has distinctive features of her own in the regimented discourse of male standards.
萨拉·奥恩·朱厄特的小说具有明显的女性审美特征,在文体上表现出明显的女性话语特征。
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