So the arabesque of the plot, as I say, is a matter of encountering bad object choices and overcoming them: -- neatness, busyness--choices which, by the way, are on the surface temptations.
But somehow or another it's not enough because the otherness, - the mutuality of regard that this story wants to enforce as life-- as life properly lived--is not entailed in and of itself in neatness and busyness.
The Greek word for that is Dysnomia "and how good government" Eunomia "displays all neatness and order, and many times she must be shackles on the breakers of laws."