Samson begins to echo Milton from the invocation that we've been looking at, the invocation to Book Three of Paradise Lost.

从我们一直看的祈祷，从《失乐园》第三卷中的祈求，参孙开始附和弥尔顿。

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It has been argued, and I think this is a brilliant point, that the most important word in Paradise Lost is "or", the conjunction.

它备受争议，我个人认为是出色的一个想法，“失乐园”中最重要的词是“或”，即连词。

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Now you also may remember that we have already run into Spenser's Mammon before this point, before Paradise Lost.

现在你们可能也记得我们已经,在遇到《失乐园》之前就与斯潘塞的贪欲之神相遇了。

耶鲁公开课 - 弥尔顿课程节选

But one of Milton's projects in Paradise Lost is to effect his forgetting of all of his literary precursors.

但是弥尔顿在《失乐园》中的一个计划是,让自己忘记所有文学前辈。

耶鲁公开课 - 弥尔顿课程节选

It's in relation to all of these forms of lateness that we can best understand the opening invocation of Paradise Lost.

带着所有这些“晚“,我们才能很好的理解《失乐园》的开头。

耶鲁公开课 - 弥尔顿课程节选

In breakout sessions at the conference, many discussions centered around companies touting their i-grade status, aspirations to achieve investment grade status or, Milton-esquely, to re-secure their Paradise Lost.

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For them there is a sense of Paradise Lost.

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Some 20 years later, in the wake of the publication of the final part of the trilogy, The Return of the King, WH Auden wrote that the cycle surpassed Milton's Paradise Lost.

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