On the basis of deconstruction theory and Skopos theory, this thesis attempts to probe into the translation of Chinese classical poetry into English from the perspective of translator's subjectivity.

本文以解构主义和目的论为理论基础，旨在从译者主体性的角度来探讨中国古典诗歌英译。

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In traditional translation theory, the translator was put in the marginalized position and the significance of the translator's subjectivity, especially in literary translation, was neglected.

传统翻译理论把译者置于边缘化地位，译者主体性，特别是文学翻译中的译者主体性的重要作用没有受到关注。

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This thesis, grounding on the power discourse theory and the aesthetic reception, probes into the common core pointed to by the two theories, namely the translator's subjectivity.

本篇论文以接受美学和权力话语理论为基础，探讨二理论指向的共核，即译者主体性；

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