Thevalue interests ofChinesepaintingsareshiftedfrom painterliness to calligraphic quality, and the theoreticframeworkcentered on the aura of ink-brush is established since then.
Sunlight shines through the paper in the sliding doors, casting latticework shadows on the tatami mat floor in the room where Hiroko Harada arranges the tools of her art: paper, brush, ink and inkstone.