The typical composing rules of the funeral music in Xianggui Corridor are:variants of skeletons of melody, such as Re—Do—La Three Sound Skeleton, Re—sol mi re do la sol Skeleton, Mi re do—mi sol la—re do la sol Skeleton and Sol do la sol—do mi re do Skeleton; changing mode freely, alternately, and by means of "turning Qingjiao to Gong, turning Biangong to Jiao", modes superposition; musical rhymes connected, stringed, correlated and unified; dividing a period into sentences,then putting them together in other ways, putting periods together to make a big period; various forms to combine words with melody; composing period according to tone colour; one divertimento includes many divertimentos, making a movement by putting divertimentos together, linking divertimentos up to compose a cyclical form. The four big cyclical forms, Xiaoge, Ritual Music, Crying and Other sounds, are superposed together to build the whole magnificent structure of the rite music.
湘桂走廊丧葬音乐代表性的结构原则有：“曲调基本框架”即兴发展形成各种变体(含Re、Do、La三声腔框架、Re—sol mi re do la sol框架、Mi re do—mi sol la—re do la sol和Sol do la sol—do mi re do框架)；自由转调,“清角为宫、变宫为角”转调,调式交替和调式叠置；乐韵的连接、贯串、照应、统一：“解曲集曲”、“联曲”；多种形式的词曲结合；音色组成段落；套曲套套曲,套曲组合成篇章；较大单位的套曲在横向上连缀成套数,由孝歌、法事音乐、哭和散套四个套数在纵向上构成仪式音乐大厦的整体。
参考来源 - 湘桂走廊丧葬仪式音乐文化研究·2,447,543篇论文数据，部分数据来源于NoteExpress
N the quality of a musical sound that is conditioned or distinguished by the upper partials or overtones present in it 音色 (Often shortened to tone) → see also timbre
Internally, materials and finishes are kept to a simple two-tone colour scheme.
在内部，材料和装修遵照简单的双色方案。
You can also adjust the membrane to switch the tone colour to accord with the specific musical mood.
也可以根据需要通过调整这层薄膜使音色更能表现特定的感情。
The awareness and mastering to simulated tone colour in the performance of Chinese piano music works is an unavoidable question.
中国钢琴音乐作品演奏中对于模拟音色的意识和把握亦是一个不可回避的重要问题。
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