下一个部分是卡杜·维奥的脸部彩绘，但是在《神话结构学》中“，列维一开始谈论的是俄狄浦斯神话。”
The next part is Caduveo face painting, but in "the Structural Study of myth," Levi-Strauss begins by talking about the Oedipus myth.
这就是无意识，换句话说，这就是故事所展现的无意识，从对神话的结构主义的分析得来。
That is the unconscious, in other words, of the story which is brought out, brought to the surface, by a structuralist analysis of the myth.
麦森是这样建立他的论据的：首先，我们被灌输了人是猎食动物的神话，从身体结构上看，我们不具备肉食动物所有的牙齿、颚骨及消化酶。
Here's how Masson builds his argument: First, we've been fed a myth of man as hunter; structurally, we lack theteeth, the jaw and the digesting enzymes of carnivores.
在软件开发生命周期中，体系结构设计得当的系统总是能够在某些看不见的问题上获得战略优势，这并非神话。
It is no myth that properly architected systems always gain a strategic advantage over unseen problems in the software development life cycle.
这是一个庞大的神话，寓言文学的形式结构，自己的所有。
It is a vast allegorical myth structure in a literary form all its own.
它用到了在《结构人类学》中，所说的思想的，“神话素“或者，“大构成单位。
It uses what in the Structural Anthropology essay he calls "mythemes" or "gross constituent units" of thought.
同样《白轮船》也从神话的运用、抒情性结构、童真视角的选择等方面暗合诗的神韵。
Likewise, "White Steamboat" accords with the poetic essence by using myths, lyricism structure and the visual Angle of the choice of children's simplicity.
因此以弗莱的神话理论作为突破口，我们可以更好地理解结构主义以来的西方文艺理论，更为清醒地认识到全球化浪潮席卷下的世界文化现状。
Therefore, through discussing Frye's theory of Myth and Archetypal criticism, we can obtain a better understanding of western critical theories and the culture worldwide in a global arena.
《美妇人诗吟》的抒情主人公是一个复式多层面的神话象征形象，其深层结构由宇宙灵魂与宇宙元素组成。
The lyric protagonist in The Belles Longs and Shorts was a mythical multi-layered character whose deep psyche was composed with universal elements.
这些神话元素融入小说叙事，以致构成小说的结构主线。
Not only are these myths integrated into the narration but they also form the main structural thread of the novel.
这全新的结构成为了现存美丽景观不可分割的一部分，甚至成为了当地传说和神话的一部分，激发着人们的想象力。
The new structure became an integral part of the existing dramatic landscape, and even a part of local legends and fairy tales, extending the popular imaginations.
石头神话与玄女神话不仅对《水浒传》的主题倾向、好汉们的思想行为起着内在的规定性，而且在结构上使全书最大限度地保持着内在的稳定性与统一性。
Stone Xuannu mythology not only stipulated the theme, thoughts and behavior of the heroes of "the Water Margin" but also made the novel keep inherent stability and unity maximally on the structure.
西方从希腊神话起，代表自然的旧神和代表精神生活的新神开始有了分化，有了“神一人一自然”三维结构的雏形。
In the West, from Greek myth, there developed a division between the old gods representing nature and the new gods representing spiritual lives, and 3d model of "God-Nature-Man" was constructed.
西方从希腊神话起，代表自然的旧神和代表精神生活的新神开始有了分化，有了“神一人一自然”三维结构的雏形。
In the West, from Greek myth, there developed a division between the old gods representing nature and the new gods representing spiritual lives, and 3d model of "God-Nature-Man" was constructed.
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