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I heard many things in the underworld.
VOA: special.2009.05.16
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It's first of all a depiction of an underworld, and so it provides Milton with an important Christian representation of a hell.
它首先是对地狱的一个描述，它为弥尔顿提供了,一个重要的基督教式的地狱的描绘。
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It's an underworld filled with gold that a brigade of fallen angels begins to extract with spades and pick axes.
在这个地狱一群堕落天使们可以拿着铲子和锤子,挖取地下的金矿。
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According to Musabih, it has also attracted criminals looking for victims in the dark underworld of human trafficking.
VOA: standard.2009.11.13
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Then, in the last book of the Republic, Book X, there is, once again, a descent to the underworld, to the world of Hades.
接着，在《理想国》的最后一部，第，X，部，再度下降到阴间，地狱的世界。
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Virgil alludes to just this passage in Homer when he describes the entrance of a whole crowd of people in to the underworld as "the falling of leaves in the early frost of autumn."
维吉尔只是在荷马中影射了这点,他描述了通往人群拥挤的地狱的入口,如同“在深秋严寒中无情飘落的叶子“
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This is an underworld, of course, but there seems to be another underworld resting just beneath it.
当然这是地狱，但是这里它似乎,变成了地狱下方的另一个地狱。
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It's a river that, I think, all classical writers, and a lot of Renaissance writers, are very comfortable placing in the underworld.
我认为对于所有的经典作家，和很多文艺复兴时期的作家，忘川在地狱中都是一个舒适的所在。
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Orpheus was the poet who had attempted to bring his wife, Eurydice, back from the underworld, and he did that by charming Pluto with his song.
俄耳甫斯试图将妻子欧律狄刻，从阴间救回，他用歌声迷惑了冥王。
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Finally, Dante alludes to this image of the Virgilian underworld in The Inferno when he describes the descent of humanity, the evil seed of Adam, into the Christian hell.
最后，但丁又在中描述到人性的败坏,亚当在基督教的地狱中撒下的邪恶种子时，含沙射影了维吉尔关于地狱的描写。
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They are steeped in the entire literary tradition of the underworld journey that stretches from The Odyssey of Homer up through Virgil's Aeneid, and of course up through all of the Renaissance romance epics.
它们被浸泡在整套文学传统中,穿越了从荷马的《奥德赛》上升到,维吉尔的《埃涅阿斯纪》的地下之旅，当然它也经历了所有文艺复兴时期的浪漫史诗。
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There are nonetheless a few details from the classical underworld that he seems to have lifted more or less wholesale and one of them - I'm going to ask you to look at page 246 in the Hughes.
然而弥尔顿书中还是有一些描写传统地狱的小细节,他似乎多多少少大规模地盗用了那些细节,我想让你们看《力士参孙》一书的246页。
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Now Spenser's hero in Book Two of the Faerie Queene is Sir Guyon, and Sir Guyon descends into Mammon's Cave - it's a Spenserian underworld - and it's in Mammon's Cave that he is tempted by the money god himself.
斯潘塞在《仙后》第二册中的英雄是盖恩先生，盖恩下到贪欲之神的洞穴中,这是斯潘塞笔下的地狱,就在贪欲之神的洞穴盖恩被贪欲之神诱惑了。
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One of these little details that Milton has lifted rather directly is that of the river Lethe, the river of oblivion that was believed to flow in the underworld.
其中弥尔顿直接盗用的一个小细节,是遗忘之河，即忘川,忘川被认为在地狱流淌。
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