The myth that Yeats takes up is of Zeus's rape of the maiden, Leda, whom he attacks as a swan.
叶芝此诗的神话原型是,宙斯强暴了一个美女,丽达,宙斯变成天鹅侵犯了她。
because I deal with prostitution and rape and drug abuse and necrophilia,
因为我里面涉及到了妓女、强奸、滥用毒品和恋尸癖,
They are, in a sense, compressed and imaged and contained in the rape itself.
它们在某种程度上,已经被浓缩,构想,包含于,这次强暴本身之中了。
There are episodes of treachery and incest and murder and rape.
有些篇子讲的就是阴险狡诈,乱伦,谋杀,强奸。
The romance heroine is often threatened with rape, but by her cleverness or by good luck or a concatenation of forces ; she can always invariably avert that tragedy; and by the end of the work she can present herself to her future husband as a virgin.
这位传奇的女英雄总是被强奸所威胁,但是多亏了她的机敏,或是走好运,或是一连串的军队暴力,她总是能避免悲剧;,在作品的最终,她呈现在未来丈夫面前的仍是一个处女。
What kind of knowledge, if any, can be had from the shattering experiences of revolution or rape, those models of history that I proposed last time?
什么知识能从我上次讲到的,历史形式的的粉碎性的经验里,比如革命或者强奸里获得?
Again, think of the rape of Leda.
想象丽达一诗中,强奸。
Remember how Yeats represents history as rape in "Leda and the Swan."
记住叶芝在丽达与天鹅里,把历史表述成强奸“
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