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I think this is probably a size of lumber, but you can't get away from the mythology of that number.
我想这可能是木材的一种规格，但是你不得不去想,这数字中的神话意味。
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This is a myth that has and will continue to haunt Milton all the way up through Paradise Lost.
这个神话曾一度而且会一直萦绕着弥尔顿,并贯穿了《失乐园》全诗。
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It uses what in the Structural Anthropology essay he calls "mythemes" or "gross constituent units" of thought.
它用到了在《结构人类学》中,所说的思想的，“神话素“或者，“大构成单位“
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Yeats takes on self-consciously staged identities, requiring costumes, and he sees other people in similarly theatrical and mythic terms.
叶芝扮演这些舞台身份时,觉得不自然，总需要乔装一番，他看待别人也是用同样的,戏剧和神话的术语。
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Like the storm gods in the myths of Israel's neighbors, Yahweh heaps up the waters with a blast of wind.
就像犹太人邻居的神话，耶和华用狂风卷起巨浪。
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Anyway, connected to all of this was a very interesting Greek myth, which speaks about the return of the Heraclides.
无论如何,和这一切有联系的是一个有趣的希腊神话,说的是赫拉克利德后裔的回归
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The meaning of Welles is that the past is simply dead what we do in present is creating myth about it.
威尔斯想要表达的就是过去已经逝去了,而我们今天做的仅是创造神话。
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Once you deal with happiness and then mysteries, you're really not going to want to-- What is there?
学完幸福，我们就会学神话，你们可能会想-,还有什么要学的？
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We need to deprive, again, the poets, the song makers, the lyricists, the musicians, the mythmakers, the storytellers, all of them, the power to enchant us.
我们必需剥去，诗人、作曲家、抒情诗人、,音乐家、神话创造者、说书人等，这类人迷幻我们的能力。
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See all you guys really know your Greek and Roman mythology.
你们很了解古希腊罗马神话嘛。
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One of the versions that I have made use of to arrive at this scientific conclusion is, for example, Freud's version of the Oedipus myth.
为了得出这个科学性结论,我所用的一个版本是，比如说，弗洛伊德的俄狄浦斯神话版本。
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But, as you've seen, the mythic quality of America has pushed Komfee Kabins all of that aside.So,it's not just the Komfee Kabins that we don't see; it's the whole history of slavery.
但就像你们看到的，美国的神话这一要素将,那些都推到了一旁，所以这不是我们看不见;,这涉及整个奴隶制的历史。
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Now, of course, Freud himself thought he was a scientist, and his reading of the myth was also supposed to be scientific.
当然，弗洛伊德也觉得自己是个科学家，也觉得自己对这神话的解读是科学的。
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So this is a myth in the sense that it's explaining some custom or ritual among the people.
这有点神话色彩,它解释了人类中间的一些习俗和仪式。
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Dante and Milton had mythologies, Shakespeare the characters of English history, of traditional romance is more type than man, more passion than type.
但丁，弥尔顿，莎士比亚写神话,英国历史，古典爱情的人物,是激情而非类型。
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He's almost a mythological figure who can sanction, who can authorize this revolution in women's writing that Virginia Woolf is beginning to prophesy here early in the twentieth century.
他是神话般的人物，可以批准，可以授权这场女性文学的革命，这场革命佛吉尼亚·伍尔夫,在20世纪早期就预言到了。
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Did you give any thoughts of the idea of ? the myth of the past?
你们有人想过“逝去的神话,这一说法吗？
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Onto the scene then comes the goddess Ate, which might be translated moral blindness.
在这种情况下就该女神阿忒登场了,希腊神话中引诱人或神失去理智而发狂的女神 我们也可以称之为道德无视
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So, I'm moving from the question of "What does America look like; what's the mythic vocabulary that Sal is using?"
这里我要从，“美国看上去像什么？,萨尔使用的神话词汇有哪些“，的问题跳到“
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The blind Fury here is the mythological figure Atropos; this is the Fate that cuts the slender thread by which our lives dangle.
这里的暴怒是指神话人物阿特洛波斯;,命运剪断了维系生命的细线。
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So, first he makes America mythic, rather than specific , and then he enters into that mythology through acts of identification.
他是首先将美国赋予神话色彩，而不去将它具体化，然后他通过寻找自我认同感的行为进入了自己的神话。
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As we read this passage, we sort out Christian myths from Egyptian myths, or let's say we sort out from what with Milton be Christian truth from Egyptian myths.
当我们读这段时，我们把基督神话从希腊神话中挑出来，或者说我们把弥尔顿所说的基督的真理,从希腊神话中挑了出来。
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He named it after the legendary King of Crete who appears in Greek mythology by the name of Minos.
他以传说中克里特之王的名字为之命名,在希腊神话里,他的名字叫米诺斯
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Such is her power. But we have every right to ask what Medusa - this is a figure from Greek mythology - what Medusa is doing in a Christian hell.
她有那样的力量，但我们有权问问美杜莎,这一希腊神话里的人物,在基督教的地狱里做什么。
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It rejects the pagan idea of a realm beyond the deity, the source of mythology and magic. The affirmation that the will of God is supreme and absolutely free is a new and non-pagan category of thought".
这推翻了异教中的观点，即存在超越神性的，作为神话和巫术之源的领域，上帝的意愿是无上,并且绝对自由的，这一论断,是一个全新的且与异教思想无关的内容，“
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That is to say, it participates in the mythic way of thinking about things.
也就是说它参与了,以神话的方式思考事物的过程。
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That's connected with the lack of mythology in Genesis 1 or rather the suppression of mythology.
它与《创世纪》第一章中缺少神话有关1,或者说它在抑制神话。
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The most important is that Yahweh's battle is a historic battle, rather than a mythic battle. The sea is not Yahweh's opponent, nor is Yahweh's enemy another god.
最重要的一点是，耶和华的战斗，是一场历史意义上的，而不是神话意义上的，大海并不是耶和华的敌人，也不是其他神的敌人。
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