但是在康德主要的美学著作《批判力批判(Critique of Judgment)中，却没有说明出来，而只是假设如此。然而，不管怎么说，在那本书里，这还是他的中心思想原则。
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康德在1790年所发表的判断力的批判(Critique of Judgment)一书中,论及「美 感判断是由主观感情针对个别事物产生的快与不快的感受,然后用普遍的原则加
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The Critique of Judgment 判断力批判
Based on Kant's distinction between two kinds of judgments, the article analyzes the legitimacy of the aesthetic judgments in "Critique of judgment".
基于康德对两种判断力的区分，文章分析了《判断力批判》中审美判断的合法性。
Kant defined "disinterestedness in aesthetic appreciation" as fundamental and important characteristics in "Critique of Judgment", which was also seen as the "quality" in beauty.
“审美无利害”是康德在《判断力批判》中作为审美最基本也是最重要的特点进行阐述，并将其作为“质”的契机来规定美的。
"Beauty as the symbol of morality" not only generalizes the subject of the book the Critique of judgment, but also embodies the construction ideal of Kant's judgment philosophy system.
“美是道德的象征”不仅概括了《判断力批判》一书的主旨，而且体现了康德批判哲学体系的建构理想。
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