It's twofold: its inauthentic relationship with the things it looks at and also its inauthentic relationship with its own underpinnings.
它是两方面的:它与所观之物间非本真的关系,以及它与自己支柱间非本真的关系。
It's a difference, or differance, that comes into being precisely in writing, and it's only in writing that we suddenly grasp the twofold nature of differance as difference and deferral.
这是一个差异,或者说是延异,它就是在书写中产生的,而就是在书写中,我们突然掌握到,延异的双重本质,这便是区别和迟延。
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