It's easy to get lost in this sea of quantities, none of which have obvious meaning.
这里没有一样是,有明显的物理意义的。
And you can get lost in it 'cause there's so much stuff.
你会迷路的,因为里面东西太多了。
So, there's a kind of lost paradise of European culture which he can't get back, even with this spectacular effort in English.
所以,这就是他不能再重新体验的,欧洲文化的失乐园,尽管在英语上做了惊人的努力。
So that's where it's easy to get lost, but let's see if these lines in the picture help us stay on track.
这就是容易迷惑的地方,下面看看,这幅图中的这些线能否帮助我们追踪。
You get sun burn, your skin peels, you lost some items in your body It doesn't really matter.
你被晒伤,脱皮了,你丢失了身体的微粒,但没有关系。
It's very relaxing, it achieves the same function as focusing on your breath, give you something not to get lost, but feel sort of centered in.
它令人十分放松,它能和集中注意力呼吸,起到同样的作用,并不是让你迷失,而是感觉到集中起来。
I think that's also why Barth chose to write this story in the perfect short story form. And that form is also given to us in Lost in the Funhouse, on page 95, when we get the diagram of Freitag's Triangle.
我认为这也是为什么巴斯选择用完美的短篇小说的,模式写这个故事的原因,这个模式在,《迷失在开心馆》里也有体现,在第95页,就是Freitag三角的图解。
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