《意》是由托尼·艾尔斯执导,陈冲、戚玉武、骆佳炜等人主演的剧情片,于2007年8月23日在澳大利亚上映。 影片改编自导演母亲的真实经历,讲述了上海滩头牌歌手玫瑰移居澳大利亚后,独自抚养两个幼子、艰辛谋生的故事。
...产;包装设计;形;意;神 [gap=708]s: theatrical masks; cultural elements; native products; packaging design; form; idea; spirit ...
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意识 consciousness; recognition; sense ; consciousness; recognition; sense; Bewusstsein ; [心理] Consciousness ; Awareness
意外 [科技] Accident ; casualty ; suddenness
意志 will; Wille; volunté ; will ; Willpower
同意 Agree ; Agreement ; consent
无意识 unconsciousness; the unconscious; Unbewusstsein ; unconsciousness; the unconscious ; [心理] Unconscious ; unconsciousness
注意 attention ; pay attention to ; note ; take care
意大利 Italy ; Italia ; IT ; italy
全心全意为人民服务 serve the people wholeheartedly ; to serve the people wholeheartedly ; serve the people heart and soul; to whole-heartedly serve the people ; to serve the people with dedication; to serve the people wholeheartedly
德意志银行 Deutsche Bank ; DB ; Deutsche Bank Aktiengesellschaft ; Deutsche Ba recentk
That establishes a essential semantic foundation for the combination of meaning and Image for later generations .
这为后世意与象的结合奠定了必要的语意基础。
参考来源 - 中国审美意象理论的历史生成In this saying,“intend to”is author's subject status in creation, " myself " are occupies in special historical linguistic environment individual, which is the prose performance object.
“意在表现自己”,“意”肯定的是作者在创作中的主体性地位,“自己”是处在特殊历史语境中的个人,是散文的表现对象。
参考来源 - 论朱自清散文的审美特征The key concept of the Gricean pragmatics is ’speaker’s meaning’.
格赖斯语用学的中心概念是‘会话含义’,即讲话者的言外之意。
参考来源 - 话语分析与商务谈判The formation of a product’s semantic information is a process, involving the formative elements and methods, which can be realized through three aspects of a product’s form: intention, expression and conveyance .
赋予产品的语意信息有其生成的过程,包括语意的生成要素及其生成方法,这主要通过产品形态的三个方面宋体现:意指、表现和传达。
参考来源 - 产品语意的生成要素、方法及认知研究·2,447,543篇论文数据,部分数据来源于NoteExpress
她一意求成。
他们只会发布合他们意的消息。
我心烦意乱,难以镇定思绪。
De Broglie, 1924, in his PhD thesis says if an electron has wavelike properties this would be its wavelength.
德布罗意,1924年在他的博士毕业论文中说到,如果一个电子有类似波的性质,这就是它的波长。
The moon was compared to Satan's shield, and Milton was preparing us then for this radically ambiguous status of this providential moon.
月亮在这里被比作撒旦的盾,弥尔顿准备着让我们了解到这个充满神意的月亮,所处的基本的暧昧不清的地位。
So that would probably be de Broglie's answer for why, in fact, we're not observing the wavelength behavior of material on a day-to-day life.
所以那就可能是德布罗意关于,为什么我们无法再日常生活中,观测到物质的波动行为的答案。
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